Ross Douthat in his New York Times column today --
But if the ideal of the Good Place, the lost Eden or Arcadia, can stir up the residue of religious hopes even in hardened materialists, the reality of what transpired in the real Newtown last week — the murder in cold blood of 20 small children — can make Ivan Karamazovs out of even the devout. In Fyodor Dostoyevsky’s famous novel ...
March 2010: The narrative of the Iraq invasion, properly told, resembles a story out of Shakespeare ...
July 2012 (Aurora Colo. masssacre): In the process, his crime has probably also solidified the Batman movies' status as a cultural touchstone for our era of anxiety. Every human society has feared the anarchic, the nihilistic, the inexplicably depraved. But from the Columbine murderers to the post-9/11 anthrax killer, from the Virginia Tech shooter to Jared Lee Loughner, our contemporary iconography of evil is increasingly dominated by figures who seem to have stepped out of Nolan's take on the DC Comics universe: world-burners, meticulous madmen, terrorists without a cause.
March 2012: No, this was where the Tebow story was always destined to end up. Denver was his Galilee; New York will be the Roman Colosseum. Or to be pop cultural rather than scriptural: Denver was District 12 in Suzanne Collins’s Panem, and the Meadowlands will be the Hunger Games arena.
[cont'd every column for next 20 years]
But if the ideal of the Good Place, the lost Eden or Arcadia, can stir up the residue of religious hopes even in hardened materialists, the reality of what transpired in the real Newtown last week — the murder in cold blood of 20 small children — can make Ivan Karamazovs out of even the devout. In Fyodor Dostoyevsky’s famous novel ...
March 2010: The narrative of the Iraq invasion, properly told, resembles a story out of Shakespeare ...
July 2012 (Aurora Colo. masssacre): In the process, his crime has probably also solidified the Batman movies' status as a cultural touchstone for our era of anxiety. Every human society has feared the anarchic, the nihilistic, the inexplicably depraved. But from the Columbine murderers to the post-9/11 anthrax killer, from the Virginia Tech shooter to Jared Lee Loughner, our contemporary iconography of evil is increasingly dominated by figures who seem to have stepped out of Nolan's take on the DC Comics universe: world-burners, meticulous madmen, terrorists without a cause.
March 2012: No, this was where the Tebow story was always destined to end up. Denver was his Galilee; New York will be the Roman Colosseum. Or to be pop cultural rather than scriptural: Denver was District 12 in Suzanne Collins’s Panem, and the Meadowlands will be the Hunger Games arena.
[cont'd every column for next 20 years]